Death is certain

In mini-scenarios of torture and execution, Eva Meyer-Keller transforms the immaculate little bodies of cherries into human identification figures. Everyday household objects bring death and, in the end, an initially clinically clean table resembles a slaughterhouse. The cherries become a projection screen for the audience's fantasies and fears. The seemingly harmless is turned into its opposite, while an absurd and politically explosive comedy unfolds that throws the question of responsibility back into the eyes of the viewer.